how parts of a complex sentence can be related to each other.”
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text scientist petya you need to find 7 words with the spelling checkable unstressed vowels at the root of the word. lines: Petya is sitting in front of you, he’s smarter than everyone in the worldHe knows everything, he understands everything, he explains everything to others. the children came to Petya, the children said to Petya: Petya, Petya, you are a scientist, they told him: the green leaf is glistening, explain to us why?! and Petya answered; children! ok, I'll explain. a green leaf flies around, rustles on the dry grass because it is sewn to the branch with bad threads. The children heard this if you know everything, Petya, if you are smarter than everyone else, tell us about the snow. We don’t understand why in winter the snow falls on the streets and the finch no longer flies over the white ground. ? and Petya answered; children! okay okay, I’ll tell you, I know very well the snow is tooth powder, but the special interesting one, not the earthly one, but the heavenly finch no longer flies, as we know, that’s why its wings freeze. The children heard this and got along: Is that really why you’re Petya? and then the children said these answers are good, but we will ask you to answer the questions: you see, the days have become shorter and the nights have become longer.? why answer, the entire river is covered with ice? and Petya answered: children! so be it, I’ll explain. the fish in the river are building a house for their children and they covered the river with ice instead of a roof, that’s why the nights are longer, that’s why the days are shorter, that we started to light the lights in the houses very early. The children heard this and laughed: what are you Petya, is that really really why ?What do you think, children, is this PETYA lying?
dog (or cat, or other pet that lives at home). What mood do you have, what do you feel, what do you think about. Use sentences with homogeneous members, complex sentences with the conjunction and, a, but. For this work, Of course, you need to prepare first.
Here Petya is sitting in front of you, he is smarter than anyone in the world, he knows everything, understands, he explains everything to others. The children approached Petya. The children spoke to Petya. Petya Petya you.They say that a green leaf flies around him, explain to us why And Petya answered. Children. Okay, I'll explain. A green leaf flies around. The dry grass rustles because it is sewn with bad leaves to the branch. The children heard this and said What are you Petya? Is it REALLY the children who said it again? you know everything Petya If you are smarter than everyone Tell us about snow We don’t understand why in winter Snow falls on the street And over the white earth The finch doesn’t fly anymore And Petya answered Children Okay okay I’ll tell you I know very well Snow is tooth powder but specially interesting Not earthly but heavenly The finch no longer flies, as we know, because the wings freeze to the cloud. They freeze on him. The children heard this. They were surprised that you, Petya, Is this really REALLY THAT'S WHY These answers are good? But answer the questions. We will also ask you. You see, the days have become shorter And the nights have become longer. Why answer? Then the whole river is covered with ice And Petya answered The children So be it, I’ll explain The fish are building a house in the river For their children And cover the river with ice It’s for them instead of a roof That’s why the nights are longer That’s why the days are shorter Because we started to turn on lights in the houses very early The children heard this Laughed What are you Petya Is it really REALLY BECAUSE of what you think children isn’t this Petya lying find and write down seven words with a spelling check unstressed vowels in the cortex of the word check the spelling find and write down a word with a spelling Unpronounceable consonants at the root of the word
a bear is white both in winter and in summer (and not like, say, an arctic fox or a white hare - they are white only in winter). The soles of a polar bear's paws are covered with thick hair, and the toes are connected by membranes about half their length.
Polar bears swim and dive excellently. They can stay under water for two minutes, but they rarely dive deeper than two meters. Far out in the open sea, polar bears have been seen more than once, even mother bears with cubs. They swim at a speed of 5 kilometers per hour, without worrying that neither land nor ice is visible anywhere nearby.
The polar bear catches seals not only on the ice, by stealthily crawling towards them. His usual method, so to speak, of attacking from the sea is this: near the seal rookeries, the bear carefully, without splashing or making noise, slides into the water and swims to where he noticed the seals. Then he silently dives and emerges right at the rookery, quickly climbs onto the ice, thereby cutting off the seals’ path to the saving water. Along steep ice walls, a bear can jump straight out of the water onto an ice floe, even if its height above the water is two meters.
Seals are the polar bear's main prey in the spring. In a year he catches and eats about 50 seals. In summer, its menu is more varied. He catches fish in shallow water, on the shore - lemmings, arctic foxes, and feasts on bird eggs. When hungry, it eats berries, algae, mosses, lichen, and mushrooms.
The polar bear is the most powerful of land animals of prey. The lion and the tiger are lightweight in comparison: the average weight of female bears is 310 kilograms, and that of male bears is 420 kilograms. If a bear is seasoned and well-fed, then it can weigh a whole ton!
Find in the second part of the text (in the second paragraph) another form of the word that is the subject of the first sentence. Write down such a phrase with the form of this word, from which you can determine its case. This case? a) R.p b) V.p
In the works of A. Fet and F. Tyutchev, not only panoramic pictures of nature are beautiful, but also poems focused on individual details of the landscape. This is confirmed by the poem “What are you bowing over the waters.” and "Willow".
F. Tyutchev wrote the work “What are you saying over the waters...” in 1935. The peculiarity of the verse, according to literary scholars, is folklore motifs. The author's focus is on the willow tree. The tree bowed its branches low over the water, and it seems to the poet that it is catching the stream. The leaves flutter over the stream, but it just laughs at them and runs on, splashing.
The images of the willow and the stream of water are symbolic. Willow is a person, a stream is human life, time. A person tries to stop the fleeting minutes and hours, but they run away into the distance. The human soul trembles over life like willow leaves. You can interpret symbolic images in a slightly different way. Willow resembles a girl or guy suffering from unrequited love. The jet is an object of sighing. Thus, F. Tyutchev hides philosophical and landscape motives behind his paintings of nature.
The poem “Willow” came from the pen of A. Fet in 1954. The description of the tree in this text serves as a background for revealing the classic motive of a date. At the beginning of the work, the lyrical hero addresses an unknown interlocutor: “Let’s sit here, by this willow tree.” After this, he begins to examine the willow, marveling at the “wonderful twists on the bark around the hollow,” luscious branches and leaves. The water under the tree is also unusual, reminiscent of trembling glass with golden tints.
A beautiful landscape sketch is dictated not so much by what he saw, but by the mood of the lyrical hero, whose heart is captivated by love feelings. The last stanza confirms this. In the water, the hero sees the reflection of his beloved’s face, the lover’s soul rejoices that the girl’s proud gaze has become softer.
Landscape, philosophical and intimate motifs in the poems of F. Tyutchev and A. Fet are revealed with the help of artistic means. In the verse “What are you bowing over the waters...” the main role is played by personification: “What are you bowing over the waters, willow, the top of your head?”, “The stream is running... laughing at you.” There are few comparisons and epithets in the text. In the work “Willow”, beautiful, juicy comparisons attract attention: “the branches are like a green waterfall”, “as if alive, like a needle... the leaves plow the water.” A. Fet also widely uses metaphors: “golden shimmering streams of trembling glass”, “in this mirror under the willow tree”.
The poems are different in composition. The verse “What are you bowing over the waters...” consists of a five-line, couplet and terzetto, and “Willow” - of two six-line and two terzetto. All stanzas are relatively complete in meaning. A. Fet’s work is written in trochee, and F. Tyutchev’s in anapest, so the poems differ in rhythm, tempo and mood. A. Fet enlivens the text with exclamatory sentences, f. Tyutchev uses a rhetorical question and dangling syntactic constructions, enhancing the philosophical sound of the verse.
The central image of both poems is the willow tree. The authors show the beauty of the tree, interpreting it in accordance with the key motif.
What are you bowing over the waters,
Willow, the top of your head?
And trembling leaves,
Like greedy lips,
Are you catching a running stream?..
Even if it languishes, even if it trembles
Every leaf of yours is above the stream...
But the stream runs and splashes,
And, basking in the sun, it shines,
And laughs at you...
Analysis of the poem “What are you bowing over the waters” by Tyutchev
The favorite theme of Fyodor Ivanovich Tyutchev’s work was nature. Most likely, the poem “What are you bowing over the waters” was inspired by impressions of European landscapes.
The poem was written in 1835. Its author was 32 years old, he had already become a court chamberlain, served in Germany, and became friends with the poet G. Heine. The genre is landscape lyricism, the size is tetrameter trochee with a ring rhyme, 2 stanzas. Rhymes are closed and open, female and male. The lyrical hero is an observer, a storyteller. The vocabulary is sublime, the intonation is thoughtful, with two rhetorical questions and ellipses. The poet, in his own individual style, places emphasis in words, achieving a certain effect and melody: with waters, top of the head. In the first quintuple, nouns and adjectives predominate; in the second, the number of verbs increases noticeably. In general, the second stanza is a complex sentence with pairs of homogeneous members. The sound signature is conveyed by the alliteration “sh”, “shch”, “zh”.
The beginning of the first stanza gives the impression of a verse of a lyrical folk song. Nature in the poem is animated. Is it a metaphor for human life? The suffering motive of the last five-line suggests similar thoughts. However, one should not exaggerate the significance of such parallels: for F. Tyutchev, nature is truly animated in itself, conveying its own state and mood, without any obligatory connection with man.
Moreover, the trembling of the willow tree over the surface of the water is a recognizable image and not at all ominous, but natural and touching. In the end, the tree described does not suffer at all from a lack of moisture; on the contrary, near water, the willow absorbs with its roots even more than is necessary. And, bending towards the water, it “cries” with droplets of excess moisture. In addition, it is water and wind that carry willow seeds over long distances. It turns out that on a hot, clear day the poet rather admires the harmony of the image of the willow and its reverent dependence on water than experiences heartache from this picture. The conjunctions “and” and “although” are repeated. Epithets: trembling leaves. Comparison: as if with the lips. Personification is the main technique of this work: you bow, with your lips, you catch, the leaf languishes and trembles, runs, luxuriates, laughs. The image of not just water, but flowing water, gives the poem dynamics and liveliness.
The poem “What are you bowing over the waters” was created at a time when the reading public knew F. Tyutchev more as a diplomat than a poet.
Great ones about poetry:
Poetry is like painting: some works will captivate you more if you look at them closely, and others if you move further away.
Small cutesy poems irritate the nerves more than the creaking of unoiled wheels.
The most valuable thing in life and in poetry is what has gone wrong.
Marina Tsvetaeva
Of all the arts, poetry is the most susceptible to the temptation to replace its own peculiar beauty with stolen splendors.
Humboldt V.
Poems are successful if they are created with spiritual clarity.
The writing of poetry is closer to worship than is usually believed.
If only you knew from what rubbish poems grow without shame... Like a dandelion on a fence, like burdocks and quinoa.
A. A. Akhmatova
Poetry is not only in verses: it is poured out everywhere, it is all around us. Look at these trees, at this sky - beauty and life emanate from everywhere, and where there is beauty and life, there is poetry.
I. S. Turgenev
For many people, writing poetry is a growing pain of the mind.
G. Lichtenberg
A beautiful verse is like a bow drawn through the sonorous fibers of our being. The poet makes our thoughts sing within us, not our own. By telling us about the woman he loves, he delightfully awakens in our souls our love and our sorrow. He's a magician. By understanding him, we become poets like him.
Where graceful poetry flows, there is no room for vanity.
Murasaki Shikibu
I turn to Russian versification. I think that over time we will turn to blank verse. There are too few rhymes in the Russian language. One calls the other. The flame inevitably drags the stone behind it. It is through feeling that art certainly emerges. Who is not tired of love and blood, difficult and wonderful, faithful and hypocritical, and so on.
Alexander Sergeevich Pushkin
-...Are your poems good, tell me yourself?
- Monstrous! – Ivan suddenly said boldly and frankly.
- Do not write anymore! – the newcomer asked pleadingly.
- I promise and swear! - Ivan said solemnly...
Mikhail Afanasyevich Bulgakov. "Master and Margarita"
We all write poetry; poets differ from others only in that they write in their words.
John Fowles. "The French Lieutenant's Mistress"
Every poem is a veil stretched over the edges of a few words. These words shine like stars, and because of them the poem exists.
Alexander Alexandrovich Blok
Ancient poets, unlike modern ones, rarely wrote more than a dozen poems during their long lives. This is understandable: they were all excellent magicians and did not like to waste themselves on trifles. Therefore, behind every poetic work of those times there is certainly hidden an entire Universe, filled with miracles - often dangerous for those who carelessly awaken the dozing lines.
Max Fry. "Chatty Dead"
I gave one of my clumsy hippopotamuses this heavenly tail:...
Mayakovsky! Your poems do not warm, do not excite, do not infect!
- My poems are not a stove, not a sea, and not a plague!
Vladimir Vladimirovich Mayakovsky
Poems are our inner music, clothed in words, permeated with thin strings of meanings and dreams, and therefore, drive away the critics. They are just pathetic sippers of poetry. What can a critic say about the depths of your soul? Don't let his vulgar groping hands in there. Let poetry seem to him like an absurd moo, a chaotic pile-up of words. For us, this is a song of freedom from a boring mind, a glorious song sounding on the snow-white slopes of our amazing soul.
Boris Krieger. "A Thousand Lives"
Poems are the thrill of the heart, the excitement of the soul and tears. And tears are nothing more than pure poetry that has rejected the word.
Fyodor Ivanovich Tyutchev
What are you bowing over the waters,
Willow, the top of your head?
And trembling leaves,
Like greedy lips,
Are you catching a running stream?..
Even if it languishes, even if it trembles
Every leaf of yours is above the stream...
But the stream runs and splashes,
And, basking in the sun, it shines,
And laughs at you...
An unusual central image, dating back to domestic folklore sources, distinguishes the poem of 1835 from the body of Tyutchev’s lyrics, which are characterized by a solemn style, an abundance of archaisms and ancient reminiscences. A modest willow tree, bent over the river, symbolizes man and his destiny. It is noteworthy that the author depicts only one of the two parts of the allegory, giving the reader the right to reconstruct the general meaning of the poetic sketch.
The image of the tree is designed in the spirit of Tyutchev’s tendencies towards an anthropomorphic depiction of the landscape: this is indicated by the appeal, designed according to the canons of a lyrical song, as well as the choice of vocabulary and the comparison of foliage with “greedy lips”. As the plot develops, emotions that are attributed to the main image increase. The poet conveys the desire of the willow to reach a fast water stream. So, in the context of the character’s dream, a second image appears, also personified. The “running stream” of water appears in the foreground at the end of the work. She seems to tease the willow with her dynamism, variability and joyful play of light in the sun's rays. The description of the image of a water stream involves four verbs and one gerund, concentrated within the narrow framework of three poetic lines.
The simple figurative system of the work allows for multivariate allegorical interpretations of the lyrical situation. The desire to hold on to love or prolong one’s youth, to find happiness or taste pleasure, to comprehend the meaning of natural phenomena or to feel oneself in the center of the flow of life - the appearance of the listed positions is completely justified. Different interpretations are united by the image of the hero: he is constrained, but not broken by circumstances and is driven by a thirst to achieve the impossible.
In the image of the stream, symbolizing the cherished goal, there are different intonations of cold indifference, which in the end turns into mockery. In this context, discrepancies are also possible: the sobering tone is intended to bring some sense to a dreamer with his head in the clouds, or is intended to demonstrate the dramatic outcome of a lyrical situation.
In Tyutchev's legacy there is an example when images of trees symbolize human feelings and dreams. In the text of the poetic miniature “From the Other Side,” a free interpretation of Heine’s work, romantic images of cedar and palm trees are created. Sad, divided, but close-minded characters are destined to meet only in a dream.